The English Indie / Pop Rock band is making their way to ExtraMile Arena on Monday for what is sure to be a concert unlike many that make their way to the venue. The band was last in Boise in 2017, during a time where their fan base would have been much smaller than today.

With a new album Silversun Pickups hit the road!

Charming Los Angeles trio, The Rainman Suite, have combined their childhood influences with the early 2000s stripped-down tones of The White Stripes and The Strokes to create a sound that was raised on The Replacements and nurtured by east coast art rock.

As Idaho’s largest distributor of free food assistance, The Idaho Foodbank is often the first line of defense in combating hunger for Idaho residents. According to the non-profit organization Feeding America, over 100,000 Idahoans, including 40,000 children, suffer from food insecurity at any given time. However, a recent legacy donation will substantially bolster The Idaho Foodbank’s efforts to combat hunger in Idaho now and in the future.

The Austin-based three-piece is poised to bring dark wave industrial synth to the mainstream.

When a band like The Pixies, with over three decades of history, music, and lore behind them, step onto a stage, it will either be spectacularly good or incredibly bad; there is no middle ground. When you’ve survived long enough to become otherworldly, you either rocket to the moon or crash to Earth. As they closed out Monday night’s show in the dark shadow of the Boise foothills, The Pixies sent us all into orbit.

Even though Dominic Harrison is fast becoming one of the most well-known artists in the world, he seems intent on tearing his career down to the foundation and rebuilding it in the most honest way possible.

While writing off ALEXSUCKS as inexperienced 20-somethings with the right look might be tempting, the band’s genuine authenticity is undeniable

Since starting his career, Trey has used his music as a platform to advocate for mental health. That mission is still very much at the forefront with his new single “Don’t Worry ‘Bout Us.”

While updating the genre, Rowdy Burns has tapped into the side of southern rock that gets a little weird, a little dark, and a lot more fun.

Known for cheekily candid lyrics combined with big dance beats, Logan Lynn’s new EP takes an unexpectedly sentimental turn.

Slightly Stoopid’s Grateful Dead-like tours have created a community that, unlike other throwback genres, isn’t gatekept by “those who were there first”

Mylo Bybee has done a masterful job creating a piece of work that fully solidifies who they are.

Intending to create a project focused on vulnerability and raw emotion, Daniel Lyon cultivated a sound that digs below the surface and burrows out our most desperate secrets. A mix of Western psychedelic, post-punk, and pop sensibilities, Lyon’s songs are unassumingly candid. But don’t mistake them for the soundtrack to your next closet cry. Spirit Award isn’t making lonely breakup songs.

FM Rodeo has pieced together two of the most influential music scenes of the ‘90s, resulting an undeniably catchy Frankenstein of clever guitar riffs, earnest lyrics, and ragged drum fills.

Portland-based duo Small Million has always reveled in the awkwardness of growth, but it wasn’t until they expanded into a four-piece band that they truly embraced evolution.

“I’ve always felt like my brain is categorized into different personalities with a separate genre of music for each one.”

You were in the wrong place if you weren’t standing in front of The Neurolux’s crowned stage this past Saturday night. Heavy hitters Balks, The Mall Goth Moths, and Black Bolt reminded downtown Boise why sometimes the party is locals only.

“Schlag’s new album is reminiscent of afternoon backroad drives and campfire conversations but does not hit its stride until halfway through the nine-song tracklist.”

Oblè Reed will not hold hands and reminisce with you about hip-hop’s golden age.

“The Seattle-based foursome, composed of Cameron Lavi-Jones, Samy Garcia, Chet Peterson, and Alex Daniel, embodies the spirit of late ‘80s DIY with a sound and energy that echo back to the early days of The Red Hot Chili Peppers and Jane’s Addiction.”

Somber and introspective, “So Pretty” taps into gentle, guitar-lead indie rock as an anthem for loneliness and insecurity.

“I want to be jamming with these guys for the next fifteen or twenty years.”

“Unlike some electronic music, Patchnotes’ songs are not overstuffed with endless tricks and overdubs. Instead, they fit like a velvet theater seat.”

Describing themselves as “Loud and obnoxious yet thoughtful and delicate,” Cabeza sits comfortably in their contradictions

After six months off stage and out of the rehearsal space, Bone Haus shuffled their instruments and added bassist Allison Winkler, regenerating themselves into a divine conglomerate of gritty determination.

Growing up, when I saw bands live or in music videos, I would think, “I want to do that.” I do not fit in anywhere else.